Tag Archives: photography

Episode 102: Photojournalism and the “Real Story of the Marikana Massacre” with Greg Marinovich

Marikana, North West Province, South Africa. September 5, 2012. Striking Marikana Lonmin miners march to deliever their demands to Lonmin management. They hold up the image of mambush, one of the strike leaders killed by police. Photo Greg Marinovich

Marikana, South Africa. September 5, 2012. Striking Lonmin miners. Photo Greg Marinovich

Pulitzer Prize-winning photojournalist Greg Marinovich (Boston University) on the genealogy and ethics of his work and on his new book: Murder at Small Koppie: The Real Story of the Marikana Massacre—the largest killing of civilians in South Africa since 1960.

For more: read the Marikana Commission of Inquiry Report here and watch Miners Shot Down here.

Episode 68: Witchcraft, AIDS and Power

Adam Ashforth (Univ. of Michigan) on “witchcraft”  in rural Central and urban Southern Africa. Discusses connections with colonial and postcolonial power and authority; gender; spiritual insecurity and religious enthusiasm; law, culture, and HIV/AIDS in Malawi; “anti-anti-witchcraft,” and the “serious laughter” of photographer Santu Mofokeng.

Episode 66: Miners, Marikana, and Photography


Image courtesy of Lincoln Cushing/Docs Populi www.docspopuli.org

Alex Lichtenstein (History, Indiana U.) on the history of the struggles for class and racial justice in both South Africa and the U.S. The focus is on black trade unions and the apartheid state, the 2012 Marikana mine massacre, and labor in Jim Crow U.S. South, as well as an upcoming exhibition of Margaret Bourke-White‘s South African photographs of the apartheid era.

Episode 37: African Photography, Visual Griots in Mali and Beyond

Photo: Tijani Sitou, My Embroidered Boubou and Pretty Radio, ca1978.

Candace Keller (MSU Art and Art History) on her research on West African photographers, cultural histories, identities, and aesthetics from the 1940s to the present. Dr. Keller describes and explains the rich and varied photographic scene in Mali, its historical roots and aesthetic and technological components, discusses leading photographers such as Malick Sidibe and Seydou Keita, and examines recent global expressions of this fine art.