Adam Ashforth (Univ. of Michigan) on “witchcraft” in rural Central and urban Southern Africa. Discusses connections with colonial and postcolonial power and authority; gender; spiritual insecurity and religious enthusiasm; law, culture, and HIV/AIDS in Malawi; “anti-anti-witchcraft,” and the “serious laughter” of photographer Santu Mofokeng.
Alex Lichtenstein (History, Indiana U.) on the history of the struggles for class and racial justice in both South Africa and the U.S. The focus is on black trade unions and the apartheid state, the 2012 Marikana mine massacre, and labor in Jim Crow U.S. South, as well as an upcoming exhibition of Margaret Bourke-White‘s South African photographs of the apartheid era.
Candace Keller (MSU Art and Art History) on her research on West African photographers, cultural histories, identities, and aesthetics from the 1940s to the present. Dr. Keller describes and explains the rich and varied photographic scene in Mali, its historical roots and aesthetic and technological components, discusses leading photographers such as Malick Sidibe and Seydou Keita, and examines recent global expressions of this fine art.