Youssouf Sakaly and Malick Sitou discuss the Archive of Malian Photography, a collaborative Malian-US project funded by the National Endowment for the Humanities and the British Library, that provides free access to preserved and digitized collections of five important photographers in Mali. The interview considers ethical questions, family and community memory, conservation and dissemination of endangered materials, and changing media technology. With guest host Dr. Candace Keller. Listen to Episode 37 for more about her research on Mali’s “Visual Griots.”
Pulitzer Prize-winning photojournalist Greg Marinovich (Boston University) on the genealogy and ethics of his work and on his new book: Murder at Small Koppie: The Real Story of the Marikana Massacre—one of the largest killing of civilians in South Africa since 1960.
Adam Ashforth (Univ. of Michigan) on “witchcraft” in rural Central and urban Southern Africa. Discusses connections with colonial and postcolonial power and authority; gender; spiritual insecurity and religious enthusiasm; law, culture, and HIV/AIDS in Malawi; “anti-anti-witchcraft,” and the “serious laughter” of photographer Santu Mofokeng.
Alex Lichtenstein (History, Indiana U.) on the history of the struggles for class and racial justice in both South Africa and the U.S. The focus is on black trade unions and the apartheid state, the 2012 Marikana mine massacre, and labor in Jim Crow U.S. South, as well as an upcoming exhibition of Margaret Bourke-White‘s South African photographs of the apartheid era.
Candace Keller (MSU Art and Art History) on her research on West African photographers, cultural histories, identities, and aesthetics from the 1940s to the present. Dr. Keller describes and explains the rich and varied photographic scene in Mali, its historical roots and aesthetic and technological components, discusses leading photographers such as Malick Sidibe and Seydou Keita, and examines recent global expressions of this fine art.