Micere Githae Mugo (Syracuse, Emeritus) and Simon Gikandi (Princeton) discuss the making and aftermath of The Trial of Dedan Kimathi and, on the 40th anniversary of the play, reflect on the play’s historical and political significance in Kenya and beyond; its innovative elements; and researching, writing, and enacting the play with Ngugi wa Thiong’o and with the community.
Tejumola Olaniyan (Wisconsin–Madison) on African cartoonists, their depictions of the body and struggles with censorship, and the aesthetics of corpulence in African political cartooning. He elaborates on the deeper origins and gendered nature of satire in African societies and also discusses his website Africa Cartoons.com.
This centenary episode brings together selections from the first eight years of the podcast. The chosen segments broadly represent earliest and latest episodes, different African countries and regions, and notable contributions by local and international guests on a number of subjects and themes.
Anthropologist Rosemarie Mwaipopo (U. of Dar es Salaam) on artisanal and small-scale mining in Tanzania. She discusses the roles of women;grassroots dimensions, including cultural and gender dynamics; and government policies. The interview concludes with a comparative look at small-scale mining in Africa.
Susanne Klausen (History, Carleton U.) on the history and politics of women’s reproductive rights in South Africa. Our discussion of race, nationalism, and women’s sexuality focuses on her new book, Abortion Under Apartheid, the first full-length study of the history of abortion in an African context. The interview concludes with an assessment of the present and future of abortion rights in South Africa and internationally.
Toyin Falola (History, Texas; President, African Studies Association) on Yoruba history and culture; language policy in Nigeria; creativity and decolonization; forms of community action in “hyper-modern” times; and the meaning of Buhari’s victory in the 2015 presidential election.
Ganiyu Akinloye Jimoh (Creative Arts, University of Lagos) on his work in Nigeria as a popular cartoonist, with the pen name “Jimga,” and as a cartoon scholar. Issues discussed include: political aspects of cartooning; visual aspects of the art; language and graphic styles; and the future of cartooning in Nigeria.